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호접몽 ( Dream of Butterfly ), 2019
Steel, Aluminum, Acrylic. 920(w)*440(d)*1270(h)
Ancient Future - 001 , 2019
Steel, Aluminum, Acrylic.
Ancient Future - 002 , 2019
Steel, Aluminum, Acrylic.
Ancient Future - 002 , 2019
Steel, Aluminum, Acrylic.
Gab Gae Suri (Para Era, Para Area), 2019
공간(Area)과 시대(Era)의 제약을 뛰어넘고 미래로 나아가기.
Steel, Brass
420*300*405 mm
'Para Era, Para Area'
공간(Area)과 시대(Era)의 제약을 뛰어넘고 미래로 나아가기.
Steel, Brass
420*300*405 mm
'Para Era, Para Area'
공간(Area)과 시대(Era)의 제약을 뛰어넘고 미래로 나아가기.
Steel, Brass
420*300*405 mm
Q-Bang Series, BANDAZI (Q01)
Steel , Marble. 2016
1000 * 470 * 840 mm
Gyubang, which refers to women’s living quarters in a house in the Joseon Dynasty period, physically and effectively had women segregated from the outside world, that is, the political and social spheres monopolized by their male counterparts.
In this connection, gyubang occasionally symbolizes an ingrain sense of resentment that women would have in those days, with which the project is concerned. With a new version of bandazi, which was typical of gyubang, it is the creator’s intention to represent a delicate position in which Joseon women were placed since their life was forced to be cloistered as much as their room. To show it more tellingly, Kim has removed all of a chest except its frame.
It is her idea that the heart of the matter can be revealed all the better by highlighting a line between two sides.
Q-Bang Series, BANDAZI (Q01)
Steel , Marble. 2016
1000 * 470 * 840 mm
On the borderline presented like this, viewers will likely have a chance to rethink the notions of ‘in’ and ‘out’: “ Is a thing inside a frame confined or is it us outside the frame that is actually confined (to social convention)? ”
Q-Bang Series, BANDAZI (Q01)
Steel , Marble. 2016
1000 * 470 * 840 mm
On the borderline presented like this, viewers will likely have a chance to rethink the notions of ‘in’ and ‘out’: “ Is a thing inside a frame confined or is it us outside the frame that is actually confined (to social convention)? ”
Portrait of a Generation
Steel , Poly-carbonate Acrylic,
Fabric, Wood. 2016
1550 * 1500 * 2200 mm
In this age of "overimage," ,
What can we do to see more clearly.
Portrait of a Generation
Steel , Poly-carbonate Acrylic,
Fabric, Wood. 2016
1550 * 1500 * 2200 mm
In this age of "overimage," ,
What can we do to see more clearly.
Horn, Put in my side.
Hard Maple, Resin. 2012
820*520*1800 mm
This is my growing inner world, and this is the horn ready to fight against the world.
Human beings always resist and fight against external stimulus. We begin our fight by crying out as we were born to protect ourselves. The extreme desperation to not lose what we gained is marvelous and beautiful, like the solid horn ready to gore the world.
Horn, Put in my side.
Hard Maple, Resin. 2012
820*520*1800 mm
This is my growing inner world, and this is the horn ready to fight against the world.
Human beings always resist and fight against external stimulus. We begin our fight by crying out as we were born to protect ourselves. The extreme desperation to not lose what we gained is marvelous and beautiful, like the solid horn ready to gore the world.
Horn, Put in my side.
Hard Maple, Resin. 2012
820*520*1800 mm
This is my growing inner world, and this is the horn ready to fight against the world.
Human beings always resist and fight against external stimulus. We begin our fight by crying out as we were born to protect ourselves. The extreme desperation to not lose what we gained is marvelous and beautiful, like the solid horn ready to gore the world.
Stool, H01
Ash. 2011
300*470 mm
Side Table, H02
Ash, Walnut. 2011
820*520*1800 mm
Stool, H01
Ash. 2011
300*470 mm